Marketing teams shipping on a schedule.
You have a content calendar and a steady need for motion, not one video a year. The value is having a team that already knows your brand by the fourth project.
"Versmos team is super talented and very quick. Easy to work with and gets the vibe effortlessly." - Dilpreet Kaur Founder & CEO at South Asian Today
Animation and Motion Design
We take your logo, type, colours, and product screens and turn them into motion built for a specific placement — a paid ad, a landing page header, a launch video, a social cut. You get the finished files in the sizes each channel needs.
Social, website, and campaign motion
Branded visuals built for digital channels
Ready for launches and ongoing content
Selected clients










The brief
Most motion work fails because it looks good in isolation and wrong in the feed. We design for where it actually runs — sound off, thumb moving, three seconds to land the point.
What you get
Vertical and square cuts for Reels, Shorts, and TikTok, built sound-off with burned-in text hierarchy.
Loops, hero animations, and scroll moments exported light enough not to hurt page load.
One visual language applied across every placement so the set looks related.
Screen recordings and app flows rebuilt as clean animated sequences instead of raw capture.
Titles, lower thirds, captions, and text-led pieces timed to voiceover or beat.
Transitions, end cards, badges, and lower thirds delivered as a kit you keep using.
The full set for a launch date: teaser, announcement, feature breakdowns, social cutdowns.
Animated decks, event visuals, and internal comms that don't look like stock templates.
The workflow
You tell us the message and exactly where it runs. Placement changes the design, so we fix it first, not last.
We work from your logo, fonts, colours, and any style guide. If there's no guide, we match the style already in your marketing and confirm direction before animating.
You approve static key frames before anything moves. Fixing a layout is cheap. Fixing a finished animation is not.
We animate the approved frames and send a review link with timecoded comments so feedback lands on the exact frame.
Final files in the sizes and formats each channel needs, plus captions and any alternate cuts agreed at briefing.
The fit
You have a content calendar and a steady need for motion, not one video a year. The value is having a team that already knows your brand by the fourth project.
You handle the client and the strategy. We produce under your name, to your deadlines, and stay invisible.
You need a coherent set of assets for a launch date, not a single hero video with nothing around it.
Who we are not the right fit for: one-off jobs with no follow-on work, projects needing live-action shooting, and briefs where the message hasn't been decided. We can help shape a message. We can't invent one.
The scope
Every quote comes down to the same handful of variables:
One 30-second piece is a different job from one piece plus six platform cutdowns.
Working inside an established brand system is faster than building the look from nothing.
Layered files, clean vector logos, and real product screens move fast. Flattened JPEGs mean rebuilding before animating.
Custom illustration, character work, or 3D is a separate build on top of the animation.
Whether the script is signed off, and whether audio is supplied or needs sourcing.
How many stakeholders sign off, and whether feedback arrives consolidated or in pieces.
We confirm all of this at briefing and quote against a defined scope rather than a guess.

Financial education - motion graphics
A motion graphics system built across seven course modules for an FCA-regulated broker, designed inside financial-services compliance constraints.
Read the Taurex Academy case study

Home services marketing - OTT streaming TV
Motion and titling designed for viewing distance rather than for a phone feed, for a home services marketing agency testing streaming TV.
Read the Salty's Media case study

Home improvement - paid social
Two paid-social variants for a home improvement contractor, cut from a supplied asset library with motion carrying the beats the footage didn't.
Read the Gutter Cap case study

5.0 out of 5
Client feedback across platforms