"Versmos team is super talented and very quick. Easy to work with and gets the vibe effortlessly." - Dilpreet Kaur Founder & CEO at South Asian Today
Video ads, testimonial edits and motion graphics for Wichita businesses, built from supplied footage. See how we turned a product library and script into two ads for a local home improvement contractor.
Remote editing · Online review · Agreed delivery formats
A home services ad often needs to communicate two things: why the product matters and who will install it. Our Gutter Cap work for Wichita-based All States Home Improvement addressed both. Salty's Media supplied the script, footage library and brand assets; Versmos produced the ads white-label through the agency. That project gives Wichita teams a concrete example of an editing engagement that starts with existing material rather than a new shoot.
Open on the homeowner's problem, then explain the product and identify the installer. Product footage provides the base; motion graphics can clarify a benefit or script beat that the library does not cover. An approved offer and call to action complete the brief.
A second version should change a meaningful decision, such as the opening, emphasis or sequence. We can scope variants from the same footage library so your campaign team has distinct creative to test, without promising that an edit alone determines campaign results.
Captions, clear titles and a readable final frame preserve the message for viewers who do not turn on audio. We plan those elements while editing, then adapt the composition for the placements included in your delivery list.
Produced white-label through Salty's Media for its Wichita client. The two variants use supplied product footage and motion graphics to explain gutter protection and identify the local installer. The case study shows the starting assets, editing decisions and campaign context.
For a Wichita home services ad, send product or job footage, your approved offer, installer branding and the service area you actually cover. Include the script, reference edit and desired variants. If an agency manages the campaign, tell us which feedback and assets should come through that agency.
Tell us the audience, footage, channels and deadline.
We agree the scope and review rounds, then collect your team's notes.
Get the final formats and versions included in your project.
Yes. We produced two Gutter Cap video ads for All States Home Improvement, a Wichita contractor, white-label through Salty's Media. The agency supplied the brief and assets and held the client relationship.
Yes, if the library supports the message. We review the script and available footage, identify any gaps and scope motion graphics or additional footage needs before production. We do not provide a Wichita filming crew.
Yes. The agency can remain responsible for strategy, media buying and approvals while Versmos handles editing and motion design. The brief should specify who owns the account and consolidates revision notes.
Use the project form to tell us what you need, who the video is for, where it will run and your deadline. Include links to available footage and references. We review those inputs, confirm the scope and agree the next steps before production.
The quote depends on the source footage, length, graphics, number of versions, review rounds and delivery requirements. Share your brief for a project-specific quote. A short finished video can still need substantial work if it requires animation, complex audio or many variants.
Timing is agreed after we review the assets and deliverables. A straightforward cut, a long interview and a custom animation need different schedules. Tell us about fixed launch dates before production; incomplete files or late feedback can affect the agreed delivery.
Share the original footage, best available audio, script or outline, logo and brand files, and any reference edits. Include approved names, product information and music permissions. A cloud-folder link is usually easier to review than compressed files sent through messaging apps.
Often, yes. Send the original files so we can assess image and sound quality. Avoid downloading a compressed copy from social media. We identify missing shots or unusable sections before agreeing the scope; editing cannot recover detail that was never captured.
Yes, within the review process and revision rounds agreed in your scope. Collect feedback from your team into one set of notes for each round. A new script, extra runtime or additional versions may change the scope and need a separate estimate.
Yes, when included in the delivery list. Specify embedded captions or separate subtitle files, and the vertical, square or landscape versions you need. We plan layouts for the placements rather than assuming that one crop will work everywhere.
Yes. Tell us your expected volume, formats, deadlines and who handles approvals. We can discuss an ongoing editing scope, including work supplied through an agency. Availability and delivery commitments are confirmed before that arrangement starts.
You receive the final exports and versions agreed in your scope. If you also need editable project files, caption files or a specific software handover, request those before production. File delivery does not automatically include every source-file or licensing arrangement.
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